S1 Pro+ Daisy Chain: Difference between revisions
Jump to navigation
Jump to search
mNo edit summary |
mNo edit summary |
||
| (19 intermediate revisions by the same user not shown) | |||
| Line 1: | Line 1: | ||
{{S1 Pro+ icon}} | |||
{{DivToc | {{DivToc | ||
| Line 4: | Line 5: | ||
|RightBody = Connect Two S1 Pro+ using a wired connection | |RightBody = Connect Two S1 Pro+ using a wired connection | ||
[[File:S1 Pro+ Daisy.jpg|300px|Left]] | [[File:S1 Pro+ Daisy.jpg|300px|Left]] | ||
For a wireless connection see: [[S1 Pro+ Daisy Chain Wireless]] | |||
|Categories = | |Categories = | ||
| Line 13: | Line 17: | ||
}} | }} | ||
To connect an S1 Pro+ to a second S1 Pro+ using | To connect an S1 Pro+ to a second S1 Pro+ using a wired connection. | ||
====Terms used==== | ====Terms used==== | ||
| Line 24: | Line 28: | ||
==== Set Up ==== | ==== Set Up ==== | ||
# Turn down the volume on both S1 Pro+ systems. On S1 Pro+ 2, on the input channel, set the Bass and Treble to 12:00 o'clock, and if using channels 1 or 2, set ToneMatch to Off, and Reverb all the way down. | |||
# Connect the S1 Pro+ 1 Line Out (XLR connection) to S1 Pro+ 2 Channel 3 Aux Input. The Aux Input is for line-level sources, and the best match for the line-level output of S1 Pro+ 1. | |||
<br> | <br>[[File:S1 Pro+ Daisy Connection.jpg|800px]] | ||
<!-- <br>[[File:S1 Pro+ Line Out.jpg|300px]][[File:S1 Pro+ 14Aux.jpg|300px]] --> | |||
<br>[[File:XLR Female to 14 TRS.jpg|300px]] or use an XLR cable with a converter<br>[[File:XLR cable.jpg|300px]][[File:XLR Female to 14 TRS Adapter.jpg|200px]] | |||
==== Levels ==== | |||
# On S1 Pro+ 1, bring up the channel volumes to the desired levels | |||
# On S1 Pro+ 2, bring up channel 3 volume to suit your application. Note: This will not necessarily match the same position on the dials as S1 Pro+ 1 | |||
#* Set Bass and Treble at 12:00 o'clock (flat) | |||
#* If connecting to channels 1 or 2, set Reverb off (see alternate connection below) | |||
==== Alternate Connection ==== | |||
You can use an XLR cable (mic cable) from S1 Pro+ 1 to S1 Pro+ 2 channels 1 or 2 (XLR inputs). | |||
[[File:S1 Pro+ Daisy ConnectionXLR.jpg|800px]] | |||
XLR Cable | |||
[[File:XLR cable.jpg|300px]] | |||
The signal may clip excessively, overload, or be too high to control the volume. To attenuate (reduce) the signal, use a -20 dB or -30 dB [[Pad]] | |||
[[Pad]] | |||
[[File:Pad.jpg|link=Pad|More about Pads]] | |||
Click image for more information about Pads | |||
---- | ---- | ||
[[Category:S1 Pro+]] | [[Category:S1 Pro+]] | ||
[[Category:Connections]] | [[Category:Connections]] | ||
[[Category:Daisy Chain]] | [[Category:Daisy Chain]] | ||
Latest revision as of 18:55, 31 July 2024
S1 Pro+ Daisy Chain
Connect Two S1 Pro+ using a wired connection
For a wireless connection see: S1 Pro+ Daisy Chain Wireless
To connect an S1 Pro+ to a second S1 Pro+ using a wired connection.
Terms used
- S1 Pro+ 1
- This is the master S1 Pro+ to which you have connected the sound sources that you want to be heard through both S1 Pro+ systems
- S1 Pro+ 2
- This is the remote S1 Pro+ to which you send the sound from S1 Pro 1
Set Up
- Turn down the volume on both S1 Pro+ systems. On S1 Pro+ 2, on the input channel, set the Bass and Treble to 12:00 o'clock, and if using channels 1 or 2, set ToneMatch to Off, and Reverb all the way down.
- Connect the S1 Pro+ 1 Line Out (XLR connection) to S1 Pro+ 2 Channel 3 Aux Input. The Aux Input is for line-level sources, and the best match for the line-level output of S1 Pro+ 1.
or use an XLR cable with a converter
Levels
- On S1 Pro+ 1, bring up the channel volumes to the desired levels
- On S1 Pro+ 2, bring up channel 3 volume to suit your application. Note: This will not necessarily match the same position on the dials as S1 Pro+ 1
- Set Bass and Treble at 12:00 o'clock (flat)
- If connecting to channels 1 or 2, set Reverb off (see alternate connection below)
Alternate Connection
You can use an XLR cable (mic cable) from S1 Pro+ 1 to S1 Pro+ 2 channels 1 or 2 (XLR inputs).
XLR Cable
The signal may clip excessively, overload, or be too high to control the volume. To attenuate (reduce) the signal, use a -20 dB or -30 dB Pad
Click image for more information about Pads