PS1 Powerstand / Daisy Chain: Difference between revisions
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(, but check the trim o/l light for a solid green light (occasional red flickers are okay).) |
(=== Two {{PS1}}s for Mono Tracks (or one side of stereo pair) ===) |
||
| Line 1: | Line 1: | ||
On the relatively rare occasion where you might need to connect the output from one {{PS1}} to another {{PS1}}: | On the relatively rare occasion where you might need to connect the output from one {{PS1}} to another {{PS1}}: | ||
=== Two {{PS1}}s for one Vocal === | |||
You can | You can | ||
* Run your | * Run your microphone into the first L1™ PS1 Powerstand (let's say - Channel 1). | ||
* In Channel 1 insert an XLR cable from the Channel 1 Line Out | * In Channel 1 insert an XLR cable from the Channel 1 Line Out | ||
* At the other end of the cable connect a [[Pad]]. The people-at-Bose usually recommend a -20 dBu pad. Some owners have reported success with a -10 dBu pad. | * At the other end of the cable connect a [[Pad]]. The people-at-Bose usually recommend a -20 dBu pad. Some owners have reported success with a -10 dBu pad. | ||
| Line 15: | Line 15: | ||
Arrows indicate the direction the signal is flowing. | Arrows indicate the direction the signal is flowing. | ||
* Position the two {{L1}}s '''at least 20 feet apart''' to avoid the possibility of odd phase effects in the audience. More detail: [[Phase Cancellation]] | * Position the two {{L1}}s '''at least 20 feet apart''' if possible to avoid the possibility of odd phase effects in the audience. More detail: [[Phase Cancellation]] | ||
* [[PS1 Powerstand Connections/Interactive|Close up view of the Input Panel]] | * [[PS1 Powerstand Connections/Interactive|Close up view of the Input Panel]] | ||
=== Two {{PS1}}s for Mono Tracks (or one side of stereo pair) === | |||
In this example, we are using Channel 2 so that you leave Channel 1 available for another input like a vocal. | |||
You can | |||
* Run your input into the first L1™ PS1 Powerstand (let's say - Channel 2). | |||
* In Channel 2 insert an XLR cable from the Channel 2 Line Out | |||
* At the other end of the cable connect a [[Pad]]. The people-at-Bose usually recommend a -20 dBu pad. Some owners have reported success with a -10 dBu pad. | |||
* Connect the [[Pad]] to the second {{PS1}} Channel 2. | |||
* On the first {{PS1}}, set the input trim appropriately. | |||
* Choose the best preset for your microphone. | |||
* On the second {{PS1}}, the input trim should be similar to what you set on the first one, but check the trim o/l light for a solid green light (occasional red flickers are okay). | |||
* On the second {{PS1}}, use the same preset as you used for the first one. | |||
* For prerecored music or tracks or keyboards you want {{B1}}s as close together as possible, and the L1™s close together -or- at least 20 feet apart. | |||
[[Image:DaisyChainTracksOn2.png]] | |||
* [[PS1 Powerstand Connections/Interactive|Close up view of the Input Panel]] | |||
---- | ---- | ||
<references/> | <references/> | ||
Revision as of 16:20, 21 January 2007
On the relatively rare occasion where you might need to connect the output from one PS1 Power Stand (Classic) / Model I to another PS1 Power Stand (Classic) / Model I:
Two PS1 Power Stand (Classic) / Model Is for one Vocal
You can
- Run your microphone into the first L1™ PS1 Powerstand (let's say - Channel 1).
- In Channel 1 insert an XLR cable from the Channel 1 Line Out
- At the other end of the cable connect a Pad. The people-at-Bose usually recommend a -20 dBu pad. Some owners have reported success with a -10 dBu pad.
- Connect the Pad to the second PS1 Power Stand (Classic) / Model I Channel 1 or 2.
- On the first PS1 Power Stand (Classic) / Model I, set the input trim appropriately.
- Choose the best preset for your microphone.
- On the second PS1 Power Stand (Classic) / Model I, the input trim should be similar to what you set on the first one, but check the trim o/l light for a solid green light (occasional red flickers are okay).
- On the second PS1 Power Stand (Classic) / Model I, use the same preset as you used for the first one.
Arrows indicate the direction the signal is flowing.
- Position the two L1 s at least 20 feet apart if possible to avoid the possibility of odd phase effects in the audience. More detail: Phase Cancellation
- Close up view of the Input Panel
Two PS1 Power Stand (Classic) / Model Is for Mono Tracks (or one side of stereo pair)
In this example, we are using Channel 2 so that you leave Channel 1 available for another input like a vocal.
You can
- Run your input into the first L1™ PS1 Powerstand (let's say - Channel 2).
- In Channel 2 insert an XLR cable from the Channel 2 Line Out
- At the other end of the cable connect a Pad. The people-at-Bose usually recommend a -20 dBu pad. Some owners have reported success with a -10 dBu pad.
- Connect the Pad to the second PS1 Power Stand (Classic) / Model I Channel 2.
- On the first PS1 Power Stand (Classic) / Model I, set the input trim appropriately.
- Choose the best preset for your microphone.
- On the second PS1 Power Stand (Classic) / Model I, the input trim should be similar to what you set on the first one, but check the trim o/l light for a solid green light (occasional red flickers are okay).
- On the second PS1 Power Stand (Classic) / Model I, use the same preset as you used for the first one.
- For prerecored music or tracks or keyboards you want B1 Bass Modules as close together as possible, and the L1™s close together -or- at least 20 feet apart.
