Template:Microphone Polar Pattern: Difference between revisions

From Bose Portable PA Encyclopedia
Jump to navigation Jump to search
mNo edit summary
mNo edit summary
Line 1: Line 1:




There are two basic types of microphone &mdash; omnidirectional and unidirectional<ref>Excerpted from [http://www.shurenotes.com/issue14/article.asp Microphone Techniques - Shure Notes]</ref>.
There are two basic types of microphone &mdash; omnidirectional and unidirectional<ref>[http://www.shurenotes.com/issue14/article.asp Microphone Techniques - Shure Notes]</ref>.


=== Omnidirectional Microphone ===
=== Omnidirectional Microphone ===
Line 18: Line 18:


<noinclude>
<noinclude>
<br><br><br>
----
<references />
----
----
[[Category:Terminology]]
[[Category:Terminology]]
[[Category:Feedback]]
[[Category:Feedback]]
[[Category:Microphone]]
[[Category:Microphone]]
----
 
<references />
</noinclude>
</noinclude>

Revision as of 10:48, 10 March 2020


There are two basic types of microphone — omnidirectional and unidirectional[1].

Omnidirectional Microphone

Omnidirectional mic. It is sensitive to sounds from all directions.

Best to use when more room ambiance is the goal. Direct and ambient sound can be adjusted by moving the mic closer to or further from the sound source.

Unidirectional Microphone

These are sensitive to sound coming from only one direction – let’s say from a guitar amplifier.

Cardioid

The most common type of unidirectional microphone is called a “cardioid” because its pickup pattern is heart-shaped. It picks up most sound from the front of the microphone and some from the sides.

Supercardioid / Hypercardioid

Supercardioid or hypercardioid microphones offer even greater sound isolation through narrower pickup patterns.