Template:DJ Presets: Difference between revisions

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:This is optimized for low volume music. The low bass and treble are boosted to better match the physics/psychoacoustics of our own auditory system.  
:This is optimized for low volume music. The low bass and treble are boosted to better match the physics/psychoacoustics of our own auditory system.  
::For prerecorded music at low level, for DJ’s and for break music at the gig. Sort of like the Fletcher-Munson (Tony Sarno calls it the “Herman Munster”) curve; bass and treble boost, just the right amount if you’re playing at 85 dB or so. Source: [[Presets 2.0|Presets 2.0]]Cliff-at-Bose  
::For prerecorded music at low level, for DJs and for break music at the gig. Sort of like the Fletcher-Munson (Tony Sarno calls it the “Herman Munster”) curve; bass and treble boost, just the right amount if you’re playing at 85 dB or so. Source: [[Presets 2.0|Presets 2.0]]Cliff-at-Bose  


[[Image:T1DJPresetLowVolume.png]]  
[[Image:T1DJPresetLowVolume.png]]  

Latest revision as of 17:51, 21 March 2023

There are two T1 ToneMatch Audio Engine Presets specifically Prerecorded Music or more generally, backing tracks.

Category: DJ/Playback

Preset: Low Volume Music

This is optimized for low volume music. The low bass and treble are boosted to better match the physics/psychoacoustics of our own auditory system.
For prerecorded music at low level, for DJs and for break music at the gig. Sort of like the Fletcher-Munson (Tony Sarno calls it the “Herman Munster”) curve; bass and treble boost, just the right amount if you’re playing at 85 dB or so. Source: Presets 2.0Cliff-at-Bose


Category: DJ/Playback

Preset: High Volume Music

This is optimized for higher volume music. Some of the bass is boosted and some of the upper mids are reduced to have a more natural sound at these higher volumes.

Source: Preset 58