Difference between revisions of "Sennheiser MD 431-II"
m |
m |
||
| Line 27: | Line 27: | ||
[[File:Sennheiser MM445 with L1 Pro32.jpg|400px|MM 445 MD 445 Wireless with L1 Pro32]] | [[File:Sennheiser MM445 with L1 Pro32.jpg|400px|MM 445 MD 445 Wireless with L1 Pro32]] | ||
| − | The Sennheiser MD | + | The Sennheiser MD 4312-II is one of my favourite microphones for noisy stages when I’m dropping in for a guest set and I don’t have control of the sound system. It has a cutoff switch which means that (when turned off) you can connect it silently to a live microphone cable. There are no noisy popping sounds. When you turn it on, the switch is silent. |
| − | I | + | It’s great where I need to cut through the mix and get maximum gain before feedback. You use the close mic technique (basically “eat the mic”) and it remains clear, never muddy. |
| − | + | It is slightly hotter than a Shure SM 58 (often what I’m replacing with the MD 431-II), but since it has a super-cardioid polar pattern, it does not tend to feed back when swapped in. | |
| + | As you should expect from a super cardioid microphone, you want to sing directly into it. When you do, you are well rewarded. It has a lift in the upper midrange and details in the highs that are articulate and clear without being overbearing. This also helps me to project, compete, and be heard in a busy stage mix. | ||
| + | <!—- | ||
See how it [[Review_/_Microphone_/_Various#Dynamic|compares with other dynamic microphones in my microphone shootout]]. | See how it [[Review_/_Microphone_/_Various#Dynamic|compares with other dynamic microphones in my microphone shootout]]. | ||
| − | + | —> | |
{{Editorial ST | {{Editorial ST | ||
|Author = [[User:ST|ST]] | |Author = [[User:ST|ST]] | ||
Revision as of 12:46, 7 October 2025
The Sennheiser MD 4312-II is one of my favourite microphones for noisy stages when I’m dropping in for a guest set and I don’t have control of the sound system. It has a cutoff switch which means that (when turned off) you can connect it silently to a live microphone cable. There are no noisy popping sounds. When you turn it on, the switch is silent.
It’s great where I need to cut through the mix and get maximum gain before feedback. You use the close mic technique (basically “eat the mic”) and it remains clear, never muddy.
It is slightly hotter than a Shure SM 58 (often what I’m replacing with the MD 431-II), but since it has a super-cardioid polar pattern, it does not tend to feed back when swapped in.
As you should expect from a super cardioid microphone, you want to sing directly into it. When you do, you are well rewarded. It has a lift in the upper midrange and details in the highs that are articulate and clear without being overbearing. This also helps me to project, compete, and be heard in a busy stage mix. <!—- See how it compares with other dynamic microphones in my microphone shootout. —>
 This article expresses my opinion and experience. Please post comments to X/Twitter @ST_Muso or LinkedIn @STPro. Thank you — ST. |
Sennheiser MD 431-II. - under construction
| Web page | Sennheiser MD 431-II |
| Type | Dynamic |
| Polar Pattern | high-rejection Supercardioid |
| Specifications | Sennheiser MD 431-II Specifications] |
| Instruction Manual | |
| Quick Guide | Sennheiser MD 445 Quick Guide] |
| ToneMatch Preset | Vocal Microphones / Flat, Vocal zEQ OR Vocal Microphones / Sennheiser e 855 Vocal Microphones / Sennheiser MD 431-II |
| Introduced | 2005 ($549 USD) |
| Press Release | Sennheiser MD 445 Press Release |
| Special Features | Wireless Capsule Sennheiser MM 445
|
Reviews
Sennheiser MD 435 and MD 445 Microphones – A Real-World Review Pro—Sound Network
Sennheiser MD435 & MD445 Dynamic Microphones—Audio Technology
Sennheiser MD435 & MD445 microphones—Mixdown