Difference between revisions of "T1 ToneMatch® Audio Engine / Daisy Chain"

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In this example we have two {{T1}}s. (T1®s)  
 
In this example we have two {{T1}}s. (T1®s)  
  
#{{t1r}} on the left connected to the {{Compact}} through the [[ToneMatch® Port]]  
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#{{t1r}} on the left connected to [[L1%C2%AE_Compact#Channel_2|Compact Channel 2]]
 
#{{t1r}}on the right connected to the {{t1r}} on the left through the Master Analog ¼ inch jack to the other T1® Channel 4
 
#{{t1r}}on the right connected to the {{t1r}} on the left through the Master Analog ¼ inch jack to the other T1® Channel 4
  

Revision as of 21:12, 16 May 2015

You can daisy chain (connect) one T1 ToneMatch Audio Engine into another.

T1x2IntoModelIIa.gif

In this example we have two T1 ToneMatch Audio Engines. (T1®s)

  1. T1® on the left connected to the L1 Model II through the ToneMatch® Port
  2. T1®on the right connected to the T1® on the left through the Master Analog ¼ inch jack to the other T1® Channel 4

This allows the performer using T1® #1 to control the overall volume of both T1®s. If the performer controlling T1® # does not adjust the volume of Channel 4, Changing the Master Volume maintains the relative balance between T1® #1 and T1® #2


Notes:

Here's how you can do the same thing with a L1 Compact

T1 Daisy Chain to Compact.png

In this example we have two T1 ToneMatch Audio Engines. (T1®s)

  1. T1® on the left connected to Compact Channel 2
  2. T1®on the right connected to the T1® on the left through the Master Analog ¼ inch jack to the other T1® Channel 4

This allows the performer using T1® #1 to control the overall volume of both T1®s. If the performer controlling T1® # does not adjust the volume of Channel 4, Changing the Master Volume maintains the relative balance between T1® #1 and T1® #2


Notes: