Template:L1 Pro

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L1 Pro This information is applicable to the L1 Pro

Documentation



L1 Pro Firmware

L1 Pro Firmware


Resources

L1 Pro Application Guide

Bose Portable PA Brochure

L1 Pro Family Selection Guide (product comparison)

Choosing the L1 Pro System That's Right for You (Youtube) / (Facebook livecast)

Bose L1 Pro Overview Videos

Bose L1 Pro Technical Training Videos

L1 Pro and the Mobile DJ - video L1 Pro Technical Certification Course (no charge, but you must register)

Articles

Should I get an L1 Pro8 or L1 Pro16?

Should I get an L1 Pro16 or L1 Pro32?

Do I Need to Upgrade from the L1 Compact to the L1 Pro8?

Do I Need to Upgrade from the L1 Model II to the L1 Pro32?

L1 Pro Do You Need All Three

Two L1 Pro16 or One L1 Pro32

S1 Pro+ x 2 vs L1 Pro8 with T4S

Which L1 Pro for Singer/Songwriter/Electric Guitarist

T1 Compatibility With L1 Pro Systems

Mixer to L1 Pro Connect your third-party mixer to any L1 Pro

L1 Pro and SimpleSync Connect L1 Pro to Bose Smart Speaker Group

L1 Pro32 Separating the Sections of the Mid-High Array

L1 Pro16 Wobble

Comparing Specifications

Comparing L1 Pro Models

Bose L1 Pro8 Compared to L1 Pro16

Two L1 Pro8 or One L1 Pro16

Bose L1 Pro16 Compared to L1 Pro32

Two L1 Pro16 or One L1 Pro32

Comparing L1 Pro Power Stands to Subs

Sub Comparison

Legacy to L1 Pro Models

Bose L1 Compact Compared to L1 Pro8

Bose L1 Model 1S Compared to L1 Pro16

Bose L1 Model II Compared to L1 Pro32

Throw Over Distance


Quick Tips

L1 Pro Line Out

The XLR Line Output from any L1 Pro contains the sound from all inputs (1, 2, 3, Bluetooth, and ToneMatch Port). That includes

  • ToneMatch Presets
  • Tone Controls
  • Reverb
  • The signal from a ToneMatch mixer connected to the ToneMatch port including ToneMatch Presets, zEQ, Reverb, Effects.

The sound is NOT affected by the L1 Pro System EQ setting.



L1 Pro Daisy Chain

Want to connect one or more L1 Pro systems together? See L1 Pro Daisy Chain

L1 Pro System EQ

The System EQ feature on the L1 Pro systems applies an EQ preset to the master output. This is similar to a graphic equalizer on traditional analogue mixers, but it uses four presets instead for quick access. read more — L1 Pro System EQ

L1 Pro32 Half Stack

Can I operate the L1 Pro32 with only the lower section of the line array?
Sometimes there is not sufficient height to use the full array
Yes
The L1 Pro32 can be used without the upper array. This configuration is useful when a venue ceiling cannot accommodate the height of the L1 Pro32
Source: Page 7 of the L1 Pro32 Owners Guide
  • For best results, ensure array is at ear level for listeners
  • Unlike the L1 Model II, the L1 Pro32 automatically adjusts the level of the bass output to maintain the appropriate spectral balance.
It’s a valid use case to use only the bottom array section. In fact, the EQ automatically adjusts to compensate.
Craig Small - Bose


Half Stack Not Recommended for Small Gigs

Running only the lower section of the Line Array is a workaround when there isn't enough ceiling clearance to use both sections. For small gigs, turn down the volume on the L1 Pro32, don't run without the top section of the array because

  • You'll need to elevate the system so the array is at ear level for the audience. Otherwise, the sound will be muffled
  • You will reduce your projection over distance. The sound will drop off more over distance.
  • You may need to turn up the volume louder than if you were using the full array. As a result, you increase the likelihood of feedback.

L1 Pro Emergency Kit

L1 Pro This information is applicable to the L1 Pro
S1 Pro+  This information is applicable to the S1 Pro+ system

These are extras and spares I carry in addition to the items I know I will need at a gig.

Emergency and Spares Kit for L1 Pro and S1 Pro(+)
Item Reason
IEC Power Cord They got lost, and this can be used with an XLR cable to substitute for a SubMatch Cable
XLR cable It's always good to have a spare. Use with an IEC Power Cord to replace a SubMatch Cable
1/4-inch (6.3mm) Tip-Ring-Sleeve Cable Connect mixers or devices with balanced connections to the L1 Pro.
1/4-inch (6.3mm) Tip-Sleeve Cable This is your basic instrument cable. It's always good to have a spare.
XLR Female to 1/4-inch (6.3mm) Tip-Ring-Sleeve Cable To connect Line Level Output from an L1 Pro or third-party mixer to Channel 3 input of an L1 Pro or S1 Pro+
1/8-inch (3.5 mm) Tip-Ring-Sleeve Cable Use this to connect the headphone output of a consumer device to L1 Pro or S1 Pro(+) channel 3 input
CAT5 cable Connect ToneMatch Mixers (T1/T4S/T8S) to the L1 Pro ToneMatch Port
ToneMatch Power Supply In case I need to run two ToneMatch Mixers to a single L1 Pro
Dynamic Microphone This is a spare; the one to use when you have guest speakers making announcements
Microphone Clip They break
Multi-bit Screwdriver Tighten, loosen, everything as needed
Gaffers Tape Tie down cables, or quick repairs
Labels with contact information I have labels on all my gear, but it's good to have spares in case they fall off

FAQ

General Questions

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What are the mid-high array and lower mid-high array made from? Metal mesh front and is rear metal or plastic?

Arrays on all units feature an extruded aluminum sleeve. Perforated grille on the front, solid on the back. Source: Craig Small


Are the column speaker arrays interchangeable between the different models? (L1 Pro8, L1 Pro16, L1 Pro32)

No. While the column arrays and extensions of the L1 Pro8 and L1 Pro16 will fit each other, no sound comes out.


Can I operate the L1 Pro32 with only the lower section of the line array? Sometimes there is not sufficient height to use the full array

Yes

The L1 Pro32 can be used without the upper array. This configuration is useful when a venue ceiling cannot accommodate the height of the L1 Pro32
Source: Page 7 of the L1 Pro32 Owners Guide
  • For best results, ensure the array is at ear level for listeners
  • The L1 Pro32 automatically adjusts the level of the bass output to maintain the appropriate spectral balance.
It’s a valid use case to use only the bottom array section. In fact, the EQ automatically adjusts to compensate.
Craig Small - Bose
Half Stack Not Recommended for Small Gigs

Running only the lower section of the Line Array is a workaround when there isn't enough ceiling clearance to use both sections. For small gigs, turn down the volume on the L1 Pro32, don't run without the top section of the array because

  • You'll need to elevate the system so the array is at ear level for the audience. Otherwise, the sound will be muffled
  • You will reduce your projection over distance. The sound will drop off more over distance.
  • You may need to turn up the volume louder than if you were using the full array. As a result, you increase the likelihood of feedback.


Inputs and Connections

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Is the Channel ToneMatch Setting (MIC/INST/OFF) like a MIC/LINE switch on other active loudspeakers? Does it change the input gain?

No. This is NOT like a MIC/LINE selector found on many other powered loudspeakers.

The Channel ToneMatch Setting (MIC/INST/OFF) affects only the ToneMatch Preset applied to the input. It does not affect input sensitivity or gain applied to the signal.

Channel ToneMatch Button: Select the ToneMatch preset for an individual channel. Use MIC for microphones and INST for acoustic guitar. The corresponding LED will illuminate white while selected.

More about ToneMatch Presets.


How do I connect a third-party mixer to the L1 Pro

If the mixer has XLR outputs

Mixer mono out → XLR‑to‑Tip‑Ring‑Sleeve → L1 Pro Channel 3

If the mixer has 1/4-inch (6.3mm) Tip-Ring-Sleeve outputs

Mixer mono out → 1/4-inch (6.3mm) Tip‑Ring‑Sleeve cable to → L1 Pro Channel 3

For more details, see Mixer to L1 Pro


Can I use XLR cables from my mixer into Channels 1 or 2?
You can, and it might work. Click for details

And yes, there are even pictures of this in the L1 Pro manuals.

However, using XLR to XLR connections can lead to problems.


1. Some mixers can output mic‑level on XLR — most cannot

If your mixer allows switching its XLR outputs from Line to Mic, then it may work. But this is uncommon. Using XLR → ¼″ (6.3 mm) Tip‑Ring‑Sleeve into Channel 3 is far more reliable.


2. Most mixer XLR outputs are line‑level, which is a poor match for the L1 Pro’s mic‑level XLR inputs

This mismatch can cause:

  • Input clipping
  • Harsh distortion
  • Unpredictable behavior


3. You can sometimes “make it work,” but it’s not ideal

You might avoid clipping by:

  • Turning down the mixer output
  • Turning down the L1 Pro channel volume

However:

  • Lowering the mixer output reduces signal‑to‑noise ratio (more hiss)
  • Turning the L1 Pro channel knob very low gives almost no usable range
  • Volume may jump from too quiet → too loud with tiny adjustments


4. Channel 3 avoids all of these issues

Channel 3 is designed for line‑level sources and provides:

  • Proper level matching
    • Lower input sensitivity (less likely to clip/distort)
    • Full +24 dBu headroom
  • Predictable behavior
    • No ToneMatch presets
    • No Reverb
    • No DSP gain steps

This is why the recommended method is: Mixer mono out → XLR‑to‑Tip‑Ring‑Sleeve → L1 Pro Channel 3


Why are the 1/4-inch (6.3 mm) Tip-Ring-Sleeve Inputs on channels 1 and 2 louder than the 1/4-inch (6.3 mm) Tip-Ring-Sleeve Input on Channel 3

By design, the input sensitivity on channel 3 1/4-inch (6.3 mm) Tip-Ring-Sleeve is lower than on channels 1 and 2, so that when using line-level inputs, channel 3 is less likely to clip. You can get the same output from channel 3, but you may have to turn up the volume control higher to do it. You are most likely to notice this difference when connecting a third-party mixer to the L1 Pro. For more information see Mixer to L1 Pro


How do I connect one L1 Pro to another L1 Pro (Daisy chain)?

Use an XLR female to 1/4 inch (6.3 mm) Tip-Ring-Sleeve to connect the L1 Pro Line Out to a second L1 Pro (any model) channel three. For complete details see L1 Pro Daisy Chain


Troubleshooting

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The L1 Pro sounds muddy (no mid-highs, it's all bass)

Make sure the column arrays are seated firmly in the power stand


Excessive Hiss
I get excessive hiss with nothing connected to the L1 Pro inputs when I turn up the volume

The L1 Pro systems are not designed to be operated with no inputs For more details see L1 Pro Hiss


I get excessive hiss when connecting the LINE OUT from an L1 Pro to a second L1 Pro with an XLR cable

Connect the first L1 Pro LINE OUT to the second L1 Pro Channel 3 input The cable: Female XLR to 1/4-inch (6.3mm) Tip-Ring-Sleeve cable For more details see L1 Pro Daisy Chain


I get excessive hiss when connecting a mixer to the L1 Pro Channels 1 or 2 with an XLR cable

Connect the mixer mono output to the L1 Pro Channel 3 input The cable: Female XLR to 1/4-inch (6.3mm) Tip-Ring-Sleeve cable For more details see Mixer to L1 Pro


Sub1/Sub2

Sub1 Sub2 This information is applicable to the Sub1/Sub2

Sub1/Sub2‎‎

Sub Comparison

S1 Pro with Sub1 or Sub2

Bose App / Music App / L1 Mix App

As of 2025 The current app for Bose Portable PA is the Bose App.

This applies to all L1 Pro and the S1 Pro+

Get it on the Google Play Store or the Apple App Store.


ToneMatch Mixers

T4S This information is applicable to the T4S ToneMatch® mixer
T8S This information is applicable to the T8S ToneMatch® mixer

Engineered with a powerful DSP engine and intuitive user control, the T4S/T8S ToneMatch mixers offer studio-quality EQ, dynamics and effects. Sound great with integrated BoseToneMatch processing and zEQ, especially when connected to a Bose L1 or F1 system for full end-to-end tonal control.

read more — T4S/T8S ToneMatch® Mixers

Other Bose Portable PA Products

L1 Legacy F1 S1 Pro